Handmade Amoghasiddhi Statue | Silver Plated Buddhist Art
Product Description
Product Description
Handmade Amoghasiddhi Statue | Tibetan Buddhist Altar Decor
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Size: 24cm(Height) x 15.5cm(Length) x 10.5cm(Width)
Weight: 1.5 kg
Materials: Antique Finishing, Gold And Acrylic Color, Silver Plated, Oxidized Copper Body
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About Our Product
This handmade Amoghasiddhi statue is crafted from an oxidized copper body with silver plating, gold and acrylic color, and an antique finishing that gives the piece a sacred, aged appearance. Measuring 24cm in height, 15.5cm in length, and 10.5cm in width, and weighing 1.5kg, it carries a calm yet powerful presence for Buddhist altars, shrine tables, meditation rooms, and Dharma practice spaces. The warm painted face, silver-toned robe, and darkened copper surface create a balanced contrast that highlights the serene nature of Amoghasiddhi Buddha.
Amoghasiddhi is shown seated on a lotus base in a meditative posture, with his right hand raised in the Abhaya Mudra, the gesture of fearlessness, protection, and reassurance. His left hand rests gently in his lap, supporting the peaceful rhythm of the seated form. The curled hair, ushnisha, elongated ears, detailed robe patterns, lotus motif on the shoulder, and carefully painted facial features reflect traditional Buddhist iconography. The antique surface details and silver-plated finish give the statue depth, making the craftsmanship visible from the face to the robe and base.
In Vajrayana Buddhism, Amoghasiddhi is one of the Five Dhyani Buddhas and is associated with enlightened activity, fearlessness, accomplishment, and the transformation of jealousy into all-accomplishing wisdom. His presence encourages courage, mindful action, and peaceful confidence on the path to awakening. This statue can be placed on a Buddhist altar, meditation table, shrine room, or spiritual display as a reminder of protection, wisdom, enlightenment, and inner peace.
Introduction of Amogasiddhi
Amoghasiddhi, one of the Five Dhyani Buddhas in Tibetan Buddhism, is associated with the north and revered as the embodiment of wisdom in all-pervasive activity. He is often depicted making the Bhumisparsha mudra, which represents the defeat of Mara, the demon god of ignorance and evil. In Buddhist art, Amoghasiddhi is commonly shown with multiple arms, each holding a distinct symbol such as a sword, vajra, or vase, signifying his ability to conquer ignorance and evil, and to bestow blessings and spiritual development upon his followers. His presence in Buddhist practice and art serves as a reminder of the triumph of wisdom over ignorance and the potential for spiritual growth and enlightenment.
Additional Services
Additional Services
Brocade Mount
We offer traditional brocade mounts upon request. For your final confirmation, we will send available samples and pricing details.
Consecration of Thangka Print
At the EvamRatna, the consecration procedure entails a precisely planned set of rituals and ceremonies. As requested for consecration/ blessing, we take the thangka print to respective Monasteries.
Please Note: Once consecrated, the Thangka Print becomes a sacred object and cannot be returned or refunded.
Shipping | Refund | Return Policies
Shipping | Refund | Return Policies
- We offer FREE, FAST & SECURED Shipment
- 4-10 Working days for delivery
- Expedited DHL Courier
- All items are insured
Return and Refund:
For any reason you need to return your item, we're here to help.
- If you're not fully satisfied, you may request a return within 14 days of delivery. To be eligible for a return, the item must be in its original condition. Once we receive the item back, we will process your refund.
- In Case of Customs Return, where the package is returned to us from customs due to incomplete documentation, unresponsiveness, or refusal to accept the parcel by the receiver, we will deduct certain percentage of the order value to cover the international shipping and handling costs.
Please Note: Once consecrated, the Thangka Print becomes a sacred object and cannot be returned or refunded.
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