Handcrafted Tibetan Naga Kanya Statue | Copper Bronze Serpent Goddess Figurine
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Estimated delivery: Aug 20 - Aug 24
Product Description
Product Description
Handcrafted Tibetan Naga Kanya Statue | Protection & Water Deity for Altar
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Size: 8cm(Height) x 6.5cm(Width)
Weight: 0.13kg
Materials: Copper Body
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About Our Statue:
This Handcrafted Tibetan Naga Kanya statue is made from copper and measures 8 cm tall by 6.5 cm wide. It weighs 0.13 kilogram. The serpent-bodied goddess sits on a wrapped tail in an elegant prayer stance, her numerous serpent hoods fanning out behind her head. Fine engraving and hand-polishing bring out the delicate characteristics of her calm face, flowing robes, and scaled serpentine form, showing the artisan's meticulous attention to detail.
According to Himalayan mythology, the Naga Kanya represents water's protection, growth, and life-giving power. She is revered as a guardian deity, bestowing benefits of safety, abundance, and emotional healing. This copper figure's warm tone and precise craftsmanship reflect traditional Tibetan metalworking, and its small size makes it great for personal altars, meditation rooms, or as a meaningful spiritual gift.
Enhance your holy space with this handcrafted Naga Kanya statue, which represents harmony, water god worship, and spiritual balance. This copper goddess sculpture is ideal for Taoist and Buddhist practitioners, adding cultural authenticity and positive energy to your home decor.
Introduction To The Naga :
The Snake Queen, also known as the Nagas, protects the deep's treasures and is reported to wear a precious diamond on her brow. Naga Kanyas are nagas' daughters. Naga Kanya's upper half is human, but the lower half is a snake.
Nagas are frequently represented in half-human form, with a human body above the waist and a long serpent's tail half-submerged in water. The female naga is known as nagi or Nagini. Above their heads, nagas often feature a canopy or hood of one, three, five, seven, eight, or nine tiny serpents of various colors. These might reflect the nagas' activity or caste, or the seven other nag kings that follow them. Nagas may have an effect on people that is either beneficial, neutral, or bad.
How do you take care of your statues?
Place them at room temperature, avoiding direct sunlight.
Ensure that the area where your statue is placed is entirely free of moisture and dust.
Place it at the highest place on your altar after being consecrated by a Lama/monks. The best practice is to keep them covered inside a glass cabinet.
Do not use your bare hands or any objects with a rough surface to wipe the face.
Directly touching objects with the bare hand can smudge the face, leaving scratches.
Additional Services
Additional Services
Consecration Service Available
Each statue contains a sacred chamber for mantra and relic fillings to bestow spiritual empowerment. During consecration, these sacred items are placed inside and blessed through traditional rituals performed by the ordained monks. There is a fee for this service, offered as a respectful contribution to the monastery.
Please Note: Once consecrated, the statue becomes a sacred object and cannot be returned or refunded.
Shipping | Refund | Return Policies
Shipping | Refund | Return Policies
- We offer FREE, FAST & SECURED Shipment
- 4-10 Working days for delivery
- Expedited DHL Courier
- All items are insured
Return and Refund:
For any reason you need to return your item, we're here to help.
- If you're not fully satisfied, you may request a return within 14 days of delivery. To be eligible for a return, the item must be in its original condition. Once we receive the item back, we will process your refund.
- In Case of Customs Return, where the package is returned to us from customs due to incomplete documentation, unresponsiveness, or refusal to accept the parcel by the receiver, we will deduct certain percentage of the order value to cover the international shipping and handling costs.
Please Note: Once consecrated, the Thangka Print becomes a sacred object and cannot be returned or refunded.
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