Naga Kanya Goddess Statue
About Our Statue :
Unveil Divine Beauty
Behold the Naga Kanya Goddess Statue, a magnificent embodiment of divinity. Crafted with a brass body and adorned with turquoise, coral, and blue lapis, it radiates unparalleled beauty and spiritual significance.
Awe-Inspiring Craftsmanship
This statue showcases impeccable craftsmanship. The brass body shines with intricate details, bringing the goddess to life. The vibrant turquoise, coral, and blue lapis inlays add a burst of color, symbolizing her celestial connection.
Invoke Prosperity and Protection
In Hindu mythology, the Naga Kanya represents both prosperity and protection. Placing this statue in your sacred space invites blessings, ensuring your home is filled with positive energy and safeguarded from harm.
Elevate Your Spirituality
Every glance at the Naga Kanya Goddess Statue deepens your connection to the divine. It's not just a statue; it's a sacred masterpiece that elevates your spirituality and enriches your life. Invite her into your space and experience her profound influence.
Introduction To The Naga :
The serpent maiden, or Naga Kanya, is a venerated figure in Buddhist mythology. She embodies the blessed union of celestial creatures and terrestrial serpents, giving wealth and safety. Her representation serves as a reminder of the complex web of life and our interconnectedness with the natural world, inspiring awe and respect for all living things.
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Size: 22cm(Height) x 16cm(Width)
Weight: 2.20 kg
Materials: Brass, Coral, Turquoise, Blue Lapis
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How do take care of your statues?
Place them at room temperature, avoiding direct sunlight.
Make sure that the area where your statue is placed is completely free of moisture and dust.
Place it at the highest place on your altar after being consecrated by Lama/monks. The best practice is to keep them covered inside a glass cabinet.
Do not use your bare hands or any objects with a rough surface to wipe the face. Directly touching with the bare hand objects can smudge the face, leaving scratches.
